Flint

Panning back to the beginnings: flint, of the silicate mineral family and thus a salt, is not only the first tool used by man- and womankind to carve, cut, and dig, but is, more than thirty thousand years ago, also the first substance to be actively mined (an early indication of the circular spiral of our silicate dependency).

Jump-cut to our present-day obsession with silicon and its uncanny valley: birthplace of the integrated circuit, the microprocessor, home and HQ of countless Fortune 1,000 businesses, a lot of capitalism, and a growing hamlet of neural networks. The metal-oxide-silicon field-effect transistor, or MOSFET, was invented in 1959 and has since become the most widely manufactured device in our history, ushering in the Silicon Age.

Remediation

I think this is a topic that really speaks to me because it is both intensely necessary in a state of planetary crisis and it can be reflective if places in the right context…

I hope this can lead me to explore ‘making’ with the living systems that remediate

this is not diverging too far from an extraction investigation because extraction leaves behind a mark that need remediating… also I am excited to touch back on invasive/remediation topics 5 years on from when I first looked at them.

how can fashion intersect with remediation? how can fashion repair? and restores and regenerate…

I want to make textiles from plants

I want to sculpt objects from toxic clay and paint on remediating bacteria that eat the toxins and can then be harvested and returned to the soil, rich in nutrients…. I want to create systems and show how they can be a cycle

wax from bees is used to cast silver from electronics to be the parts of an object that don;t get remediated…

REFLECTIONS ON MY PRACTICE

I want to work with organic forms, grown and biological and chemical and lab based… tech can come into this as a tool to exhibit and explain concepts and 3d and visual design can be used to take us on a journey…

think about companies that would be working in this area…. ponda – what would I want to do for ponda?

Types of remediating organisms:

  1. Microorganisms:
    • Pseudomonas putida: Known for its ability to degrade a wide range of pollutants, including hydrocarbons, solvents, and pesticides.
    • Bacillus subtilis: Effective in breaking down organic pollutants and promoting soil health.
    • Rhizobium: Forms symbiotic relationships with leguminous plants, fixing atmospheric nitrogen and improving soil fertility.
  2. Plants:
    • Helianthus annuus (Common Sunflower): Accumulates heavy metals like lead, arsenic, and uranium in its tissues, aiding in phytoremediation efforts.
    • Salix spp. (Willows): Known for their ability to absorb and accumulate contaminants such as heavy metals, organic solvents, and petroleum hydrocarbons.
    • Pteris vittata (Chinese Brake Fern): Hyperaccumulator of arsenic, commonly used in phytoremediation of arsenic-contaminated soils.
  3. Mycorrhizal Fungi:
    • Glomus intraradices: Forms arbuscular mycorrhizal associations with plant roots, enhancing nutrient uptake and promoting soil health.
  4. Earthworms:
    • Eisenia fetida (Red Wiggler Worm): Commonly used in vermicomposting to break down organic waste and produce nutrient-rich compost.
  5. Microalgae and Macroalgae:
    • Chlorella vulgaris: Widely studied for its ability to remove nutrients, heavy metals, and organic pollutants from wastewater.
    • Macrocystis pyrifera (Giant Kelp): Large brown algae that can absorb carbon dioxide and other nutrients from seawater, contributing to ocean carbon sequestration efforts.
  6. Insects:
    • Hermetia illucens (Black Soldier Fly): Larvae of this fly species feed on organic waste and can significantly reduce waste volume while producing nutrient-rich frass.
    • Tenebrio molitor (Mealworm Beetle): Larvae of this beetle species can consume polystyrene foam and other forms of plastic waste.
  7. Marine Organisms:
    • Mytilus edulis (Blue Mussel): Filter-feeding bivalve mollusk that can remove pollutants and improve water quality in marine ecosystems.
    • Crassostrea virginica (Eastern Oyster): Oysters are known for their ability to filter large volumes of water, removing suspended particles and pollutants in the process.
  8. Lichens:
    • Lobaria pulmonaria (Lungwort Lichen): Sensitive to air pollution, particularly sulfur dioxide, making it useful as an indicator species in air quality monitoring programs.

REFLECTIONS ON REMEDIATION

  • it’s interesting what can be made from remediatory organisms
  • I think it would be cool to frame this investigation in a future where we needed to harvest from plants that could survive in negative future climate conditions

book – ‘limits to growth 1972!

DOWSING

Method of finding things, often hidden or underground, with a simple device such as forked stick or a pendulum. The dowser holds the tool and watches or feels for movement that indicates the sought material or obiect. Perhaps most commonly known as a way to find underground water sources, dowsing has also been used to find petroleum, gas, and other minerals; lost obiects; locations of secret treasures or mines; and even missing people-although most dowsing is performed for nonliving things. The common image of a dowser is that of a man holding out before him, by its forks with stem pointing ahead, a Y-shaped stick or “divining rod” and walking around until the stick quivers and points downward. The place pointed to is where the water or other object of the search may be found. Good dowers are said to be able to tell how deep the water is and to gain a general impression of quantity from the way in which their stick moves.

Not all dowers use forked sticks. Some use a pendulum suspended from a thread or chain. The pendulum is allowed to hang straight down and is often held over a map. When the pendulum begins to move, it leads the dower to his or her object. Other things may also be used as dowsing tools; it is thought that the power of the technique rests not so much in the tool as in the user. Some dowsers use no tool at all.

Dowsing has been done for centuries. Recorded descriptions of it go back at least as far as ancient Egypt, and it was commonly used as a way to find water and other things until the 20th century, when scientific skepticism dismissed it. Most scientifically minded people consider it more of a superstition than a true detecting technique. Even so, some petroleum companies, govern-ments, and water-well drillers still use professional dowers today to help them in their work. It is extremely expensive to dig oil and water wells, so employing a dower may be considered adding to the probability of the accuracy of the geological reports. Some claim that dowsers are more accurate than geological reports.

One explanation for dowsing is that the dowser, more sensitive or more perceptive than others to subtle energies emanating from different elements, is able somehow I° tune in to the energies from the sought object; the dows ing tool may enhance and focus this energy for the dowser. One problem is the apparent subjectivity of the craft: Different dowers use radically different methods and often arrive at different conclusions. This inconsistency, along with the inability of science to verify the supposed subtle energies, calls dowsing into question. Skeptics suggest that dowers who do find water, oil, or treasure have merely been lucky.

Another term for a dowser is “water witch,” reflecting the historical view that dowsing is a paranormal ability akin to witchcraft and occult divining.

For further reading: Christopher Bird, The Divining Hand (E. P. Dutton, 1979).

ALCHEMY

Derived from the Arabic al-kimia, the Egyptian art that strove to change substances from the known and commonplace to something other in the attempt to uncover universal secrets. It began in ancient China and was practiced in Asia, the Middle East, and Europe for millennia until it gave way to modern science about 400 years ago. It was based originally on the idea that everything was made up of four elements earth, air, fire, and water– -mixed in different proportions in different sub-stances; changing their proportions would change the substance, also known as transmutation. Medieval alchemists searched to uncover the following universal secrets:

  1. the elixir of life, which would confer immor-tality;
  2. the panacea, which would cure all ills;
  3. the philosopher’s stone, which would turn base metals into gold; and
  4. the alkahest, which would melt anything and be very useful in experiments and also in war.

Although regarded with some disdain today, the work of the experimental alchemists should not be dismissed lightly. In their searches they heated, pounded, mixed and tested everything they could find and in doing so discovered much about many different materials; they established many of the chemical processes

  • distillation,
  • fusion,
  • calcination,
  • solution,
  • sublimation,
  • putrefaction,
  • fermentation
    that we take for granted today. They accumulated expertise and knowledge that formed the basis for much of modern chemistry.

However, there was one striking difference between the new mechanical philosophers and the older alchemists: The mechanical philosophers were opposed in principle to secrecy and increasingly adopted a conception of knowledge as something for the public benefit. They believed that everything should be published and open to public scrutiny. In this way obscurities and mistakes could be exposed and eliminated in critical public discussion. One figure in this story is especially interesting Isaac Newton, perhaps the most famous natural philosopher of the 17th century or any century. His achievements are taken as paradigms of scientific research. His published work was disciplined in method nothing was claimed that had not been argued for by a combination of induction and deduction, the latter modelled on the deductive method of geometry.

  • I’m seeing a correlation between alchemist secrecy and modern corporate opacity – lacking transparency.
  • inductive vs deductive reasoning in geometry – the former is coming to conclusions based off observations while the latter is coming to conclusions based on pre conceived facts.

In his private life, however, Newton was deeply interested in alchemy. He took copious notes on alchemical books and manuscripts and he carried out prolonged and detailed experimental studies, believing that his own experiments would be most productive if they proceeded in conjunction with the study of records of the ancient past.

As part of his natural philosophy, Newton was interested in the interactions of very small particles, knowledge of which he believed to be hidden in allegorical form in alchemical writings. It was the most mythical alchemical writings that he thought were the most important to study as these were thought to represent the oldest part of alchemy.

Newton’s studies and experiments provided important insights into what was and was not possible by alchemical manipulations. Nevertheless he never published anything directly concerned with alchemy.

Today we tend to regard alchemists as “knaves and impostors,” happily now a thing of the past. However, like Newton and the contemporary mechanical philosophers, we should draw a distinction. There were two distinct groups: the genuine seekers after knowledge to whom today’s scientists are indebted for their contributions to scientific understanding, and the rogues and villains who exploited claims to secret knowledge for their own ends, the pseudoscientists of their day.

Metallurgy & Mineralogy

Sand, glass

Feldspar
https://cargocollective.com/materialnarratives/DISQUIET-LUXURIANS
– The resulting collection focuses on the material feldspar – the world’s most prevalent mineral which makes up 60% of the Earth’s crust. In designing a scenario in which it gains uniqueness, Emilie has transformed this otherwise meaningless rock into a series of Post-Luxurian artifacts, and in doing so challenged the gilded concept of rarity.

steel

copper – electronics

cobolt

uranium

neodymium – rare earth minerals

magnets….

Why do I want to look at metal extraction? how does it relate t mythic matter? how is a project driven by morality? where is the morality in this starting point? Do we ultimately need to stop extracting metal? is it as simple as that? find instances of heavily negative extraction politics. who would this work be for? the more than humans in the ground? miners? nation trust and environmentalists? communities around specific sites of extraction? consumers of fashion and textiles? those who want to better understanding of the issue?

I think metal is interesting in a mythic matter way because it is painstakingly found and taken from the earths crust for its physical/inherent qualities (strength, structure, alchemy) but also because of reasons that are contextual and mythical… (things like value,

THINGS TO RESEARCH ONLINE

  • i must look into the temporal contexts of different ores, what is the history of when they were made in earths systems, are they thought to be from different planets and stars
  • how do microorganisms interact with metal? what does a worm or a nematode do if it finds it in the soil?
  • the historical context of mining steel (iron+coaking coal?) + the making of stainless steel, silver
  • how do people in the uk’s heritage relate to these material’s extraction?
  • steel is 100% recyclable. copper as well is highly recycled.
  • history of alchemy – to use magic to turn lead into gold!
  • carbon dating can date anything alive within 50,000 years ago
  • the term prospect.. what other mining terms are there that could be interesting entry points?
  • why was it used as money?
  • why is it used for electical wires
  • how are magnets used and what is their function in electronics and products?
  • find instances of heavily negative extraction politics – silver in Peru? Singapore? any closer to home.

BOOKS

  • ‘a short history of nearly everything’ by bill bryson
  • wear next
  • history of extraction / pick a metal to start the search
  • alchemy

‘Prospect’, though seemingly a colloquial term, found widespread use in the world of mining in the mid-19th century.
‘Prospect’ refers to a piece of land with mineral value that has not yet been determined (but with the implication that there is indeed some value). A product of colonialism, the term was used to describe the hopeful settlers of the gold rush era–‘Prospectors’–as they pushed westwards in search for minerals, often accompanied by violence and exploitation of the native peoples.
By contrast, term’s Latin origins (‘prospectare’) refers to the act of looking outward and forwards. Its use from the 16th century onwards has come to imply ideas of optimism and the future.
This dual meaning–one of hope, and one of exploitation–mirrors ideas we have today in regards to progress and the need for extractive modes of production to sustain it.

REFLECTIONS

maybe I am most interested in how we relate to the materials we wear? how can we make the deep time framework of materials tangible to us?

  • very interesting project. what else could i make from extracted metals from electronics

metal

steel is used in women’s bras.

I’m interested in extraction of metals. I would like to look into metal mining and extraction because it intersects lots of things i am drawn to – wearables (and potentially women’s health and breast politics?), extraction and therefore ecological degradation, resource politics – and creatively it allows me to work with metal, welding, lost wax technique, jewellery/bras/corsets (bodices and wearables made from fabric and metal structures, metallic textures and blender renders…

in what why could lab work come into this? how could metal extraction and context and mythology intersect with biological systems?

the fact silver is antimicrobial is interesting! thinking about where metal and microbe overlap intrigues me!

Stainless steel, originally used in surgical equipment is now prominent fashion product/accessory. The main advantages of it is the high resistance to discolouration, lack of elements that can cause skin allergies, and the durability of the material. Modern surgical stainless steel bracelets are very popular as fashion jewellery.

there is something intriguing about the way metal ores exist amongst geological layers and deep time

next steps:

  • i must look into the temporal contexts of different ores, what is the history of when they were made in earths systems, are they thought to be from different planets and stars
  • how do microorganisms interact with metal? what does a worm or a nematode do if it finds it in the soil?
  • I want to re-read ‘a short history of nearly everything’ by bill bryson
  • the historical context of mining steel (iron+coaking coal?) + the making of stainless steel, silver
  • how do people in the uk’s heritage relate to these material’s extraction?
  • steel is 100% recyclable. copper as well is highly recycled.
  • history of alchemy – to use magic to turn lead into gold!
  • carbon dating can date anything alive within 50,000 years ago

GEORGE MONBOIT – REGNESIS

  • hot spots and hot moments – places and instances of intense biological activity
  • hutchinsonian hyper volume, this describes the multidimentional opportunities that permit the survival of different creatures. the more complex a system is across space and time greater diversity it can support
  • fractal scaling – how the soil structure is consistent regardless of the scale of magnitude you are observing it
  • soil is self regulating and adaptive – explains it’s structural resistance against droughts etc

another book id like to re-read is ‘bitch’, the book about female gender in animals and ecology.

also I have the book ‘critical design in context’ on my phone – I would like to make time to read this as well. It would be good to ground an contextualise the sort of practice I would like going into 2nd year.

sequins are potentially a fun medium / format to make in. craft-able. I feel like I could turn to scar, ella and cordie for help and collaboration in making patterns and ways to attach and finish a wearble.

  • The dress was made from approximately 6,000 ultra-thin steel sequins manufactured by Voestalpine Precision Strip AB in Sweden. Each of the 6,000 blade-thick steel sequins was hand-sewn. Ian Jones, the head of sales and deputy managing director at Voestalpine, emphasises “a complex series of high-precision cold rolling and annealing cycles to achieve these ultra-thin thicknesses.” As a result, the plates are thinner than mulberry silk.
  • The couturier was so passionate about the material that he expanded the concept and decided to use several shades of blue. Through a series of oxidation experiments, the researchers were able to paint a 0.022 millimetre thick steel strip in different shades of blue. This unique dress became the centrepiece of Josefi’s collection at Stockholm Fashion Week.
  • “I want to surprise, create something unexpected, and at the same time, environmental friendliness is also very important for me, and since steel is 100% recyclable, this dress has become exactly what I wanted to show the world,” says Naim Josefi. “All my collections are based on scientific research. Technology helps me implement complex ideas and thoughts,” he says.

Sarah Roseman, soft silica

  • Soft Silica is a new expression for glass that lies on the boundary between textile and glasswork. The material is brought to life and appears to be frozen in time, capturing the way glass melts in a static object through with the tactility of a textile. The project currently consists of glass tapestries and sculptural vessels as well as an extensive and ever growing archive of samples. It is a continuing glass research that evolves and develops with each iteration, to find future possibilities and applications for this exciting new material.
  • OCR-A = the font designed in the 60s to be understood by machines
  • ‘its always about capitalism no technology’
  • Machine Art 1934 at the MoMA
  • the anatomy of an AI system – the planetary cost of an AI system
  • https://anatomyof.ai/
  • it has lots of interesting contextual points eg ‘Marx’s dialectic of subject and object in economy’ and ‘Fractal chains of production and exploitation’ and ‘ Submarine Cable Infrastructure’
  • its also a really engaging diagraming example of a life cycle analysis

SOFIA CRESPO

  • https://sofiacrespo.com
  • interesting projects are ‘beneath the neural waves’ and ‘neural zoo’ and ‘critically extant’

https://cargocollective.com/loekiesmeets/Smart-by-Nature

What is a Field Book?

Field books are original records of scientific discovery. As such, they are primary source material that describe a range of information including the activities performed during the observation and collecting of specimens, the native environment for those specimens or events surrounding or related to the field collection of specimens or observations during field research.

The traditionally handwritten field documentation in the nineteenth century began to include other forms as technology advanced. As photography equipment became easier to transport, for example, the documentary value of photography became a useful form of field documentation. The Field Book Project catalog a variety of field note formats include photography, film and audio materials.

  • a technology – as James bridle describes it
  • documenting data
  • making sense and connecting, multicellular formations that make up a picture or a state
  • botanical drawings and scribbles becoming a

THE MUSEUM

https://www.smithsonianmag.com/travel/inside-las-strangest-museum-180954803

Wilson knows that the Museum of Jurassic Technology doesn’t appeal to all. “Not everyone, by any stretch of the imagination, finds what we do to be of interest. A lot of people actually dislike what we do and think we shouldn’t be doing it.” (An example of a Yelp review: “Museums should offer something besides confusion … I guess a lot of people enjoy learning nothing at a museum?”) Those who call it an art project also constantly baffle Wilson: “People have on occasion said ‘Oh, this is like an art project.’ That is always so confusing. I don’t understand what that distinction is. When is something artistic?”

WEBSITE OF BEASTE

https://bestiary.ca/index.html

Thinking about volcanoes.

the de-glaciation of the planets could impact the degree of volcanic eruptions.

what percentage of the world experience an eruption? how could this experiences be eminated?

how could we amplify and recreate microseismicity increases?

https://science.nasa.gov/earth/climate-change/can-climate-affect-earthquakes-or-are-the-connections-shaky

Weighing the Seismic Consequences of Water

In order to make any connection between climate and earthquakes, says Lundgren, you first have to determine what kinds of tectonic processes might be related to climate phenomena. Scientists know earthquakes can be triggered or inhibited by changes in the amount of stress on a fault. The largest climate variable that could change fault stress loads is surface water in the form of rain and snow. Lundgren says several studies have supported such correlations. But there’s a catch.

“Typically, where we’ve seen these types of correlations is in microseismicity — tiny earthquakes with magnitudes less than zero, far smaller than humans can feel,” he said. “Those occur quite frequently.”

Lundgren cited work by his colleague Jean-Philippe Avouac at Caltech and others, who’ve found a correlation between the amount of microseismicity in the Himalaya and the annual monsoon season. During the summer months, large amounts of precipitation fall on the Indo-Gangetic Plain, which encompasses the northern regions of the Indian subcontinent. This increases stress loads on Earth’s crust there and decreases levels of microseismicity in the adjacent Himalaya. During the winter dry season, when there’s less water weight on Earth’s crust in the plain, Himalayan microseismicity peaks.

Fire and Ice: Glaciers and Tectonic Processes

Another climate-related phenomenon that’s believed to have connections to tectonic processes is glaciation. The retreat of a glacier can reduce stress loads on Earth’s crust underneath, impacting the movement of subsurface magma. A recent study in the journal Geology on volcanic activity in Iceland between 4,500 and 5,500 years ago, when Earth was much cooler than today, found a link between deglaciation and increased volcanic activity. Conversely, when glacial cover increased, eruptions declined.

The rapid movement of glaciers has also been shown to cause what are known as glacial earthquakes. Glacial earthquakes in Greenland peak in frequency in the summer months and have been steadily increasing over time, possibly in response to global warming.

Human Uses of Water and Induced Seismicity

In addition to climate-related impacts of water on seismicity, human management and applications of water can also affect earthquakes through a phenomenon known as induced seismicity.

For example, water stored in large dams has been linked to earthquake activity in various locations around the world, though the impact is localized in nature. In 1975, approximately eight years after Northern California’s Lake Oroville, the state’s second-largest human-built reservoir, was created behind the Oroville Dam, a series of earthquakes occurred nearby, the largest registering magnitude 5.7. Shortly after the water in the reservoir was drawn down to its lowest level since it was originally filled in order to repair intakes to the dam’s power plant and then refilled, the earthquakes occurred.

REFLECTIONS on ‘mythic matter’

It’s really only just dawning on me as to how much this brief suits me and my practice. the things that make me feel something are those instances when I am taken outside of myself and am shown a new reality. a new formation of this reality.

latent‘ – existing in hidden or dormant form.

latent’s etymology comes from the latin ‘to lie hidden’.

the underneath. the underground!

I am interested in things that are myths in that they are out of view.

I want to bring that which is beyond out senses into the experienceable.

I think see this project as an opportunity to explore the visual artists side of my practice. the side that wants to make translations of ecology , to make feelings of ecology and relationship to deep time ‘present to hand’.