the issue around possible Geological Disposal Facility (GDF) in Cumbria

https://keepcumbriancoalinthehole.wordpress.com/2020/06/11/briefing-paper-radiological-implications-of-potential-seabed-subsidence-seismicity-fault-re-activation-beneath-the-cumbrian-mud-patch-induced-by-mass-removal/

This Briefing offers a review of the possible seabed morphological changes and marine pollution implications of the sub-sea coal mining venture proposed by West Cumbria Mining (WCM) at their Woodhouse Colliery site near St Bees Head.

WCM have designated and identified a sub-sea mining zone of the Irish Sea lying to the west of St Bees Head and extending at least 8kms offshore and southwards to within about 8km of the Sellafield site.

The WCM extraction proposals, using continuous mining methods, predict the extraction of approximately 3 million tonnes of coal per year over a 50 year period. This extraction rate will eventually generate a huge subterranean void space of approximately 136 million cubic metres (a volume greater than that of Wastwater Lake).

https://www.researchgate.net/publication/45626045_Diagenetic_reactivity_of_the_plutonium_in_marine_anoxic_sediments_Cumbrian_mud_patch_-_eastern_Irish_Sea

Since the early 1950s, low-level liquid radioactive wastes have been discharged into the north-eastern Irish Sea from the British Nuclear Fuels pcl reprocessing plant at Sellafield, Cumbria, UK. Annual discharges, including those of transuranium nuclides, peaked in the mid- to late- 1970s due to increased throughputs and reprocessing of residues, and thereafter declined as new treatment facilities were introduced. Overall, an estimated 120TBq of 238Pu, 611TBq of 239, 240Pu and 22 PBq of 241Pu have been discharged to the Irish Sea during the period 1952-2000

Resisting coal: Hydrocarbon politics and assemblages of protest in the UK and Indonesia

Resisting coal: Hydrocarbon politics and assemblages of protest in the UK and Indonesia
Benjamin Brown, Samuel J. Spiegel⁎
School of Social and Political Science, University of Edinburgh, United Kingdom (2017)

As Bridge (2009a: 43) writes, ‘underground lies a world of ‘natural production,’ the deep-time processes beyond human control that create the hydrocarbon con- centrations we know as fossil fuels…Above-ground and freed from geological fixity, energy is thrown into a tumultuous world of ‘social production’”. Once extracted from the ground, coal is no longer con- ceived of as organic matter – it becomes ‘privatized and converted into standardized, appropriable, deliverable units’ (Lohmann, 2016: 1), commodified and incorporated into circuits of capital accumulation. This act of translation serves to dis-embed coal from its conditions of production, concealing both its geological origins and the processes and practices that deliver it to global markets.

coal isn’t ‘energy’, coal is a material that we prescribe a notion of ‘energy’ to.

His research illustrates the integral role of fossil fuels in underpinning particular forms of political and economic power, and demonstrates how the physical attributes of coal – its bulkiness and heaviness – were instru- mental in producing new forms of mass politics across Europe in the nineteenth and early twentieth centuries. Coal required an extensive labour force to mine and transport it, and the energy on which in- dustrial capitalism depended became susceptible to disruption through strikes and sabotage at mines and railways, enabling workers to make effective democratic claims.

the physical qualities of coal are a large factor in the way in which large labour forces could form ‘collective action’ and effect politics through democratic claims…

materiality of something equates to how the individuals who are effected by and affect that material can collect and enforce chnage

this corresponds contentiously to digital realms and the way modern ‘pretest’ often happens in cyber space where there is a distinct lack of materiality… how to make the digital space of protest physical. how to make online petitions autographic… how to make ‘the act of signing autographic…. celebrity ‘autographs’…

Movements are distinct from organizations or singular events, since they present sustained, collective challenges to those in positions of power and are contingent on a collective identity, common purpose and the diffusion of shared beliefs amongst participants (Della Porta and Diani, 2009). 

While ‘modern’ environmentalism has a problematic history, marred by charges of elitism and racism (cf. Koseck, 2004), recent decades have witnessed the ascendance of new paradigms of environmental justice. Emerging critical approaches draw attention to the procedural inequities that occur when certain groups are ex- cluded from participating or marginalized in decision-making over re- source use, and the uneven distribution of environmental burdens and benefits as stratified by class, race and gender (Bell and Braun, 2010; Schlosberg and Collins, 2014; Urkidi and Walter, 2011).

Accordingly, there have also been efforts to challenge the Eurocentric representation of environmentalism as a purportedly ‘post-materialist’ movement, through highlighting the ‘environmentalism of the poor’, in which forest dwellers, peasant farmers, fishers and indigenous people have sought to preserve livelihoods by defending land and resources from encroachment by the state or capital (Martinez-Alier, 2014), and an ‘environmentalism of the malcontent’, using the example of protests against a coal power plant in Turkey to illustrate the different political logics which animate resistance. In this case, protests gained traction by incorporating a critique of neoliberal developmentalism and drawing attention to coercive and anti-democratic state tendencies, fore- grounding land acquisition, dispossession and displacement (Arsel

These insights have been supplemented by research from the Czech Republic, which demonstrates the significance of place attachment and broader political consciousness as important motives for participants engaging with anti-coal activity (Frantál, 2016), and from Colombia, emphasizing the anti-imperial character of resistance to coal mining following a long history of struggle against the foreign dom- ination and control of natural resources (Chomsky, 2016). 

place attachment as necessary component of effective mobilisation of protest

Anna Tsing’s points of ‘friction’ as movements operate under increasingly globalized processes that create ‘zones of awkward engagement’ between chains of different actors at the local, national and international level (Tsing, 2005: xi). Attention to this politics of scale, understanding coal to be embedded within a networked ‘socio-spatial struggle’ (Swyngedouw, 2004), is critical to understanding how social movements form and coalesce across boundaries, as transnational movements mobilize people in disparate locations around a common cause to produce new norms and solida- rities (cf. Della Porta and Diani, 2009).

‘zones of awkward engagement’… similar to the early point about engaging digitally and having no material enactment to ground the solidarity / moitvaton … should look into this more though.

browse book ‘Friction: An Ethnography of Global Connection’ by Anna Lowenhaupt Tsing + read paper reveiwing it https://www.jstor.org/stable/24497582?seq=2#metadata_info_tab_contents

Our approach is informed by recent geographical scholarship emphasizing the co-constitution of nature and society, envisioned variously as ‘socionature’ (Swyngedouw, 1999), ‘natureculture’ (Haraway, 2003), or material semiotic ‘hybrids’ (Latour, 1993; Law, 2009)

… words used by various theorists to describe the intersection of ecology and society

Following Haarstad and Wanvik (2016: 2), we pursue an exploration of carbonscapes‘the spaces created by material expressions of carbon-based energy systems and the institutional and cultural practices attached to them’, and deploy the notion of as- semblage to map out the dynamic web of relations between social ac- tors and the material world that they inhabit. Appel et al. (2015: 24) speak of ‘the varieties of actors, agents, infrastructures, processes and imaginaries – what we call the oil assemblage – that give shape to our contemporary iteration of hydrocarbon capitalism’, and coal is similarly entangled, contingent upon particular socio-technical arrangements that facilitate its extraction and conversion into energy.

Colin McFarlane (2009: 561) has described assemblages as ‘materially heterogeneous, practice-based, emergent and processual’, highlighting the ways in which overlapping material, discursive and collective relationships produce particular configurations of power at different scales and particular historical moments (cf. Ong and Collier, 2005). By drawing on these insights, we are better placed to understand processes of rupture and transformation around sites of extraction, as protest assemblages disrupt the logics of incumbent, carbon-based energy regimes.

Coal remains an important marker of culture, territory, and history; it was coal that birthed the labour movement and sustained the trade unions (Rees, 1985)

Until the Conservative government’s assault on miners’ unions in the 1980s, coalmining was at the heart of communities where it occurred, comprising the core of social identities and fostering a culture of camaraderie, solidarity and collective organization.

In the aftermath of pit closures and privatiza- tion, structural unemployment and social dislocation has continued to blight former coal communities, and memories of the 1984–5 miners’ strikes have cemented the totemic status of coalmining as a former bastion of the British working class (Chatterton, 2008; Parry, 2003).

Indeed, in the aftermath of plummeting prices for coal, which dropped from $218 per tonne in 2008 to $53 in 2015, the country is now witnessing the departure of some foreign mining companies as profitability falls and operators are reluctant to accept responsibilities for abandoned or exhausted coal seams (Jensen, 2016).

what happens in these aftermaths…?

The hostile reception to opencast mining in the Welsh valleys is indicative of coal’s ability to encapsulate multi-scalar, hybrid political imaginaries and of its material potency in driving new forms of col- lective action.

the material’s network is still capable of collecting actors (/agents?) despite not being formed by those physically employed to handle it..

Bel-W3 (Nicotiana tabacum L.)

this tobacco variety Bel-W3 is the most sensitive to ground level (bad) ozone pollution…

I’ve reached out to some labs across the uk and will see if they get back to me.

I’m interested in how this autographic visualisation of air conditions could be used and deployed into the community of whitehaven (cumbria coal mine) as that area has a realtionship with tobacco – as a port it boomed due tot he colonial tobacco trade…

hi-vis

the hi-viz vest and its history?

its sort of been appropriated into the eco-sphere as cyclists wear them and therefore they may even be an transitioning object through its multiplicity of associations… yet its history is still very embedded in ‘the labourer’, the constructor..

found this fresh water algae that is reflective in the sun… reminded me of the materials used in hi-visibility textiles…

mussel beach – cooking sections

The London-based duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) examines the ecosystem of the Los Angeles coastline in a site-specific intervention at Venice Beach. Mussel Beach, a play on the culture of fitness and exhibitionism associated with Venice, contemplates the state of the Pacific Ocean through the lens of food, specifically mussels, which act as filters of pollution but are disappearing along the shores of Venice because of climate change. Building on Cooking Sections’ earlier research-based projects examining the climate’s impact on eating and well-being, Mussel Beach is conceived as an experimental intervention that reconsiders our understanding of sustainable ecology and its future.

Through a series of mixed-media interventions along the beach—ranging from itinerant performative acts, installations on the boardwalk, public food tastings, and a choreographed audio tour of the beach—Mussel Beach meditates on the connections between the health and fitness industry and the consequences of human activity on the natural landscape. The work aims to connect the origins of the gymnasium as a space that cultivates both the body and the mind. Visitors to Mussel Beach are guided through a site-specific audio tour in the form of a workout routine that takes them through a carefully choreographed journey. Developed from research informed by interviews with local experts, the audio narrative moves across the fields of marine biology, environmental studies, water policy, food research, material engineering, bodybuilding, and everyday Venice life.

Queer walking and decolonisation

Stephanie Springgay and Sarah E. Truman ‘Research-Creation Walking Methodologies and an Unsettling of Time’

WalkingLab invoke a ‘queer temporality’ through disrupting normative space-time delineations (Truman & Shannon, 2018, p. 62).

this article explore questions of sovereignty, borders, histories, and time through strategies of speculation, counter- cartographies, and anarchiving practices

The research-creation walking events that we focus on in this article are exam- ined in more detail in our book Walking Methodologies in a More-Than-Human World: WalkingLab (Springgay & Truman, 2018). For this special issue, we consider how research-creation walking events can unsettle colonial temporalities and how artistic research can participate in the processes and practices of decolonization.

Dylan Miner (2016) states that the problem with decolonization is its transition from a verb into a noun. As a noun, or a thing, decolonization shifts from an active practice or a way of life to a knowable and ownable thing. 

Turions argues that art can play an important role in undoing structures of dispossession through affective and discursive political ges- tures that focus on land, mobility, and access. Writing about affect and its relation to cultural decolonization, Garneau (2013) discusses the extra-rational potential of art. He writes: Art is the site of intolerable research, the laboratory of odd ideas, of sensual and intuitive study, and of production that exceeds the boundaries of conventional disciplines, protocols and imaginaries. . . . It can be a way for the marginalized, refused, and repressed to return.

  • this can be thought applied to ecologies – not just the people but all agents that inhabit a given space/site

posthuman habitats

although the concept of this is about future food sacristy and self sufficiency in terms of food production… i want to look into felt as a way to embed plant life… as ‘moisture retention’

maybe i should CONTACT the designer to explain my idea and ask what materials besides felt she used.

Cumbrian coal mine

am thinking about more specific governmental decisions that are gestural of the lack of action of top down order… and how the cumbrian cola mine is a perfect symbol of this.

`

this coal mine is the first to be constructed in 30 years and is due to close the year before the uk target of net 0 emissions…

 communities and local government secretary is Robert Jenrick.

from the independent

and the government’s decision not to intervene flies in the face of Boris Johnson’s new climate targets for the UK, which would see a reduction of 68 per cent in annual carbon emissions by 2030.’

^ https://www.independent.co.uk/climate-change/opinion/cumbria-coal-mine-2050-climate-change-b1801364.html

‘The mine is projected to increase UK emissions by 0.4Mt CO2e per year.1 This is greater than the level of annual emissions we have projected from all open UK coal mines to 2050.’

‘The decision to award planning permission to 2049 will commit the UK to emissions from coking coal, for which there may be no domestic use after 2035. 85% of the coal is planned for export to Europe.’

Ed Gemmell, the managing director of Scientists Warning Europe, said: “[It] would be disastrous for the net zero plans for the UK and send an appalling signal to the rest of the world in this critical year for the climate. Many top scientists now regard even 2050 as recklessly too late [to reach net zero emissions] if there is to be any chance of keeping the world under 1.5C. The majority of councils in the UK have made climate emergency declarations – Cumbria county council risks being the black sheep of the family if it allows this coalmine to go ahead.”

The proposed £165m mine would produce 2.7m tonnes a year of coking coal, for use in industrial applications such as steel-making, as opposed to thermal coal for burning in power stations. Kwasi Kwarteng, the business secretary, told MPs last month that this meant the mine should be allowed to go ahead, as it fell outside government pledges to phase out coal for electricity.

climate scientist James Hansen wrote to the prime minister, Boris Johnson, saying that pressing ahead with the mine would show “contemptuous disregard for the future of young people”. Developing country experts also said that for the UK to open a new coalmine would be “shocking”, and would damage its credibility as host of the Cop26 summit

^ https://www.theguardian.com/environment/2021/feb/09/county-council-to-reconsider-cumbria-coal-mine-application

information I would like to gather on this site

  • reasons for unemployment – as conservatives are using the card that the mine will provide 500 jobs for the citizens of Whitehaven – but why is unemployment so bad in cumbria
  • reason for wanted to provide our own coking coal for steel production as we need steel to make renewable energy infrastructure like wind turbines. to avoid having to import the coking coal needing for the the steel production the government claim that creating our own would save on emissions on importing (and therefore transporting) coal… YET there has been vast developments, especially in Sweden, on fossil-free steel production.
  • look into the planning permission
  • what is the effect of coal mining on local environments ie how will the environment of cumbria affected/impacted?
  • what is the local environment of cumbria like more broadly – in terms of wildlife, local craft, history
  • Whithaven locals perspective on the plan. they are traditionally a mining town and as employment is so high it is unlikely its swings in the direction of the anti’s…

I would like to find relevant environmental information about cumbria in order to come up with the correct and most effective protest intervention – one that can be weaved into the an intervention that is ‘slow’ and resistant.

^ such crap information visualisations… would it be useful to re design these… would more compelling imagery make an impact?

  • Historically Cumbira and specifically Whithaven grew great economical potency due to coal mining and its colonial importation of tobacco….
    • also apparently evaporating brine in pans to make salt… should i do this?

what do i still want to know….

  • easy in which unemployment could be resolved in cumbria…
  • ecological circumstances

22/02/21 – temporalities of protest

thinking about what it means to protests. watched all day symposium of talks by artists and thinkers dealing with environmental degradation.

the talk from lydia hallow really resonated with me. her practice is around a specific site, and slowness as an act of resistance – taking from isabella stingers work on slowness and acts of resistance. i wonder how this can apply to traditional types of protests and how one can enact different practices as a way to enact different types of protests

protest

action

resistence

inaction

where do this words fork off into different directions?

FORECASTING EARTH FUTURES paper

cartographies and instrumental sensing environments becomes and become with the cosmology of a given place. these are malleable and can be unmade, remade, demade… this comes relevant as if i were to deconstruct a cite to understand how best to re relate us to it, to attune to it.

Adam Bobbette

FORECASTING EARTH FUTURES ….

Cosmologies make worlds in their own image. They are not just interpretations of the world or ideas projected onto the world. The cosmology that states that mantle convection determines crustal movement, the shape of continents, earthquakes and volcanoes, is a product of modern earth sciences, and modern earth sciences are the product of the spaces made by global networks of instruments and laboratories. This is the modern cosmology of the earth, our myth of earth, that is enacted in space in these networks, laboratories and instruments. Forecasting earthquakes, eruptions, and tsunamis, then, becomes material performance of the cosmology of plate tectonics and a means of testing it in the world. 3 In other words, forecasting becomes a way of testing the veridiction of a cosmology. Cosmologies are models of the earth that are built and extended in real space and transform the earth into their own image. Landscapes, then, are these built models made inhabitable and lived in.