Growth Assembly – Sascha Pohflepp and Alexandra daisy ginsberg (2009)

This project represents the exact kind of speculating I would like to do. Creating the the future circumstances and outlining the objects the may exist here.

I think a good activity would be to rewrite the exhibition description shown below but replace key words with my own project identification at the point it is now – or at this early stage anyway.

After the cost of energy had made global shipping of raw materials and packaged goods unimaginable, only the rich could afford traditional, mass-produced commodities.

Synthetic biology enabled us to harness our natural environment for the production of things. Coded into the DNA of a plant, product parts grow within the supporting system of the plant’s structure. When fully developed, they are stripped like a walnut from its shell or corn from its husk, ready for assembly.

Shops evolved into factory farms, with licensed products grown where sold. Large items take time to grow and are more expensive while small ones are more affordable. The postal service delivers lightweight seed-packets for domestic manufacturers.

Using biology for the production of consumer goods has reversed the idea of industrial standards, introducing diversity and softness into a realm that once was dominated by heavy manufacturing.

The product shown here is the Herbicide Sprayer, an essential commodity used to protect delicate engineered horticultural machines from older nature that can naturally defend itself

The image references Ernst Heckel (a favourite of mine) in the way they are speaking about the mechanisation of plants. heckel depicted plants like beautiful machines, merging the ideas of atomisation with the style of botanical drawings.

I think this project is influential in the way it doesn’t need justification to create these ‘future manifestations’. It’s okay to create visualisations that express/reflect the negative way we are heading whilst not exactly being dark and dreary…

12/11/20 – post tutorial round up

so…

look into projects by lasts years 3rd y – Isablella fulford, Nia Conents

in terms of speculative futures there seems to be two avenues of speculative futures that are profoundly speculative and therefore are more a visualisation in order to reflections of the present:

  • Philip K Dick UBIK (his descriptions of outfits could be interesting)
  • William Gibson
  • afrofuturism – liberal space program
  • William Davis?

and futures that are more pragmatic in the speculation in that they may provide scenarios to visualise FOR

  • look up Guy Debords; society of the spectacle.
  • (end of Being Ecological – manifesto of how to actually de-anthropomorphise… which leads onto another avenue of research which is to bring in theory of how to do this… spec realism (maybe look at and criticise ‘dark mountain project.. t.morton hates it…))
  • Julia Watson – low-tech design by radical indigenism
    • approaching things from a design inspiration perspective.. not so much theory
  • Revisiting the future; post capitalism, a world without work (author?)
  • How to be an anti-capitalist in the 21st century (author?)
  • podcast; ACFM – on Jeremy Gilbert…

draw on these avenues of futurabiliy… provide myself with visceral fictions in order to create within.

Tom proposed the question ; is it possible to envision dress of the future

How does looking at visual efficacy come into these futures?

NEW REPORT PROJECT QUESTIONS:

  • de anthropomorphising attitudes to materials used in dress
  • efficacy of making dress for future scenarios
  • how could speculative realism inform dress of a post capitalist future
  • how does speculative realism inform the framing of material traces via objects of embodiment
  • what does a speculative realist approach to synthetic bodily ornamentation look like – how can we harness the microbial world with out objectifying it….
  • what is the future of dress under these conditions; ….. ….. ….. ….. eg:
    • autographic / harnessing material traces = being totally anthropocentric
    • aesthetic of UBIK and material development = uber hierarchical/unequal society of fashion becoming a thing of the past for the poor
    • synthesising human and synthetic biology = misinterpreting human nature dichotomies…

Moritz Stefaner / Susanne Jaschko: Data Cuisine

From Indexical Design website – one of the talks:

I didn’t think this project/workshop/talk was going to be useful until they started outlining the kind of learning objectives and it becomes clear; they aim for this small small scale social workshop thing where they interact with the language that is food and the multifaceted symbolic nature of all the variables. Beyond the experiences of eating (that is social and cultural) the physical preparation and entanglement of distances traveled and ways to cook and temperature of eating and arrange on the table… by that point you have a lot of variables to tap into signifying something (e.g heated means more energy intensely produces) .

  • interesting to find codes and ways to form codes…

What is the taste of data? Data Cuisine explores food as a means of communication and information expression. We research ways to represent local open data in local food, through the inherent qualities of food such as color, form, texture, smell, taste, nutrition, origin etc. In our presentation, we will reflect on the unique experiences “data foodification” can provide and its relation to other forms of data presentation.

Ultra-Black: Towards a materialist theory of oil – Oxana Timofeeva (E-Flux)

She was basically outlining the different materialisms in order to get to an argument where nothing and everything is materialsim… the nature of matter lies so far and beyond and around us that it is entirely amongst us. Then, in a subversive way she brings in oil as a core element of the movement and value of matter to humans… therefore its shared materialism and agency with labour and slaves (all under capitalism)… and then links back oil in that it has this edge to it, as a living, throbbing, agency of and within materialism.  

The nature of nature as such can be thought as agential (Karen Barad’s agential realism); as ancestral or as a real that was already there before us (Quentin Meillassoux); or as objectal, when everything, subjects included, turns into objects (Graham Harman), or even into hyperobjects (Timothy Morton) that now, at the end of the world, rise beyond all our measurements (global warming, etc.). It can be described in older oppositions of subject and substance, or subject and object, or subject and thing (materialist dialectics and transcendental materialism, critical Marxism, psychoanalysis). It can be approached as forms of life (vitalism), as bodies (corporeal, transcorporeal, and incorporeal materialisms, or what Alain Badiou ironically calls “democratic materialism”), or as media and technology. It can be dialectically or nondialectically opposed to technology, or identified with it. It can be represented and symbolized as a constant lack—a lack of resources (extractive economy), a lack of desire (libidinal economy), etc.—but at the same time as an irreducible excess; as a realm of need and necessity, or of hyperchaos and contingency; as something to be defended and preserved (ecophilosophy, deep ecology), or as a threat—a complex of unknown, blind, and potentially destructive forces (dark materialism).

In his book In the Dust of This Planet, Eugene Thacker presents a dark materialist philosophy of nature through the lens of horror. The word “world” has, according to Thacker, three different meanings. The first is the world-for-us, or simply the World; the second is the world-in-itself, or the Earth, and the third is the world-without-us, or the Planet. The World is anthropocentric, the Earth is natural, and the horrifying Planet is supra-natural, or fantastic. Regarding the Earth, or nature, that in a significant part is “grounded by scientific enquiry,” Thacker says that it is “a paradoxical concept; the moment we think it and attempt to act on it, it ceases to be the world-it-itself and becomes the world-for-us.

Today these meanings are maintained in the paronymous words “economy” and “ecology.” Both economy and ecology are concerned with nature—either as a living world, environment, Umwelt, or as a source and resource. They are conjugate—beyond ecology there is always economy, and vice versa: this is our earthy home, here we keep slaves and exchange oil for money. But this is not the whole story, as beyond the doors of nature, the Greater Outdoors stands and creates anxiety. How is it possible, the world-without-us?

The fact that it is a fantasy does not mean that it can be neglected. As psychoanalysis teaches us, fantasy is at least as important as what we call reality, and perhaps even more so. The phantasmatic world-without-us is not only attached to the world-for-us, but presents its internal truth. It is uncanny and unhuman and unnatural, where the prefix un- does not merely negate, but produces a kind of displacement or resistance that dialectically turns canny, natural, human, etc., into their opposites, while maintaining the ostensible clarity and significance of the original. This is why these new concepts of nature continue to revolve around an old concept of the human, in various directions, including the transhuman, the nonhuman, the antihuman, the posthuman, or the inhuman. Such concepts seem to start from the dismissal of the human, but often end up with what I would call negative anthropocentrism, i.e., anthropocentrism of a centrifugal, rather than a centripetal, type.

  • if i want more references I can re read Mark Fishers the weird and eerie

In the world-for-us, where things operate according to the domestic laws of restricted economy, the unconscious becomes a capitalist unconscious.19 Existence under a capitalist regime is bound to a general equivalent, or a value form that can be attached to any piece of living and nonliving matter. The world as we know it consists of commodities, and among commodities there is one for which all other commodities can be exchanged: money. Money is both abstract and real; it is a real abstraction that, even if it does not really exist, produces effects in reality. However, this does not give us an entire picture of the structure of the world-for-us. The fact is that money is not an ultimate commodity. It is not an autonomous being. Behind money, there are three main commodities upon which it grows: the first is matter, the second is labor, and the third is time. All three of these are of principal interest, but here I will only address the first one.

In contrast to money, matter is not an abstraction; otherwise, it would not be matter, but an idea—this is the meaning of what Bataille calls “senile idealism.” Matter as an ultimate commodity is a concrete piece of substance, to which money clings in order to prove that it is real. Such a piece of substance historically stands for the whole material world exchanged for money. It is a material side of the general equivalent, or the Thing of the economy. In old times, the general equivalent was represented by gold. Now such a commodity is—not “officially,” but conventionally—oil.

Remember Marx, who, in his Economic Philosophic Manuscripts of 1844, does not really make an essential distinction between a worker and a slave: the point is that exploitation transforms living labor into dead capital. What do a slave, a worker, and oil have in common? The very fact that they are not only the repressed, but the oppressed, not only the unconscious layer of a society in which we exchange matter, labor, and time for money, but that which is exploited, consumed, and burned up in the production of surplus. The worker is exploited as a labor force, the slave is exploited as a “black” labor force, and oil is exploited as a natural resource. If we want to grasp oil, as Hegel would say, “not only as substance, but equally as subject,” not only as the thing from the Greater Outdoors but as “the Real that is already right here,” we must admit that oil—which, like money, now stands for the whole material universe—is not a master, but a kind of ultimately inhuman black slave, one that literally occupies the lowest—and the biggest—strata of the pyramid of exploitation, and creates the very core of our capitalist unconscious.

  • brilliantly tied back in!

12/11/20 – gathered bits n pieces

———— Cinematic visualisations 

  • Kodwo Eshun spoke in the zoom conversation i watched about how people living in the convention that is the anthropocene have turned to finding indexical signs, material traces, to inform them of seismic movements/predictions. 
  • ‘living in the anthropocene is to confuse and to complicate the difference between human sciences and so called natural sciences. To confuse the inherited devisions of knowledge of colonial order’ 
  • he also makes a strange point about a women (Charlotte King) who, when living in this confusion, had taken to thinking her body was able to predict seismic activity, she was especially sensitive to the earth indexes (in this case ones that are more spiritual and physical in my opinion) – and how this links to Bruno Latours call for ‘sensitisation’ 
    • SO maybe if we didn’t have this subconscious need to different so harshly between nature and science and earth and mind, we would not need to designate a the collecting of indexical signs into delusional/spiritual and scientific/datacolective… if these realms merge (is our perspective of technology vs nature) and we see US and OUR technology AS nature… we could create a space for innovation that nurtures this… objets and tools that mesh together the bodily reactions/visualisations/sensitisations/technology/tools etc….

———— Nixon’s slow violence 

We live, writes Cory Doctorow, in an era when the electronic screen has become an “ecosystem of interruption tech- nologies.”29 Or as former Microsoft executive Linda Stone puts it, we now live in an age of “continuous partial attention.”30 

  • something I’m defiantly intending to address in my research. attention span and engagement are both pinnacle to the way we interact with objects, including the ones that we choose to adorn ourselves with
  • what are the links with spectacle driven inforwhelming engagement and consumption of of objects of dress… are these ‘things’ still existing within identify politics and the need to embody identity… or will this ‘consumption desire’ be replaced with concepts of socialist ‘need’, designation of resources and tools…

Fast is faster than it used to be, and story units have become concomitantly shorter. In this cultural milieu of digitally speeded up time, and foreshortened narrative, the inter- generational aftermath becomes a harder sell. So to render slow violence visible entails, among other things, redefining speed: we see such efforts in talk of accelerated species loss, rapid climate change, and in attempts to recast “glacial”—once a dead metaphor for “slow”—as a rousing, iconic image of unacceptably fast loss. 

  • needed terminology transition!! speed is all relative, especially in an age of accelerated lack attention span. marketing of information…. 

The representational bias against slow violence has, furthermore, a critically dangerous impact on what counts as a casualty in the first place. 

And what perspectives—not least those of the poor or women or the colonized—do hegemonic sight conventions of visuality obscure? Pratt’s formulation of planetary consciousness remains invaluable because it allows us to connect forms of apprehension to forms of imperial violence.36  p15

It is here that writers, filmmakers, and digital activists may play a mediating role in helping counter the layered invisibility that results from insidious threats, from temporal protractedness, and from the fact that the afflicted are people whose quality of life—and often whose very existence—is of indifferent interest to the corporate media. 

  • how and why design can be used

———— Latour thinking through fashion

In general this chapter on applying Bruno Latour to fashion wasn’t useful as it was just this – about fashion. The writer proceeded to analyse the market pulls and pushes within the network that is the buyer and the trend of the moment etc which doesn’t enthuse me at all and if anything is doing quite the opposite to what I’m into.

  • I guess I still don’t know where I picture an output of ‘dress’ as it is hard to conceive dress without fashion. Does this mean I have to consider the evolution of ‘trend’ in a world without capitalism? Or maybe try conceive of a future where dress exists in isolation from fashion… what is left (obviously an network of things, but is it categorisable/label-able for my purposes) when ornamentation exists without capitalistically induced advertising of ‘trend’…. can’t picture it yet but maybe something to really think about?

———— thinking through fashion

Still not totally sure how Butler can inform my territory… I guess her acknowledge of networks is useful and interesting and PERFORMATIVETY is also relevant in that ‘bodily practices’ such as dress are continually and inevitably performative.

This in turn i guess makes me think about what structures one can ritualistically/repetitively unforced through the act of seemingly passive ‘wearing’.

———— his not only signifies that the term ‘turn’ suffers a huge inflation, but also that we live and think in a time of fast change, a period after post-modernism that is not yet clearly defined (Vermeulen and Van den Akker, 2010). – p12

  • I like this idea of inflation.. I think this interestingly intersects with Nixons connects of contemporary culture inability to engage with amorphous temporalities that lack visualisation and ‘shock factor’ spectacle…

———— Dust zone

It frames pollution by producing a way to measure the speed dust recollects on a given surface.

  • is this form of expressing an issue maybe more powerful / potent than a graph or a new article?
  • will it intersect with more individuals?
  • would it ever change behaviour?

———— Material traces

  • is maybe why I’ve started thinking about permanent pandemic possibilities
  • ESPECIALLY interesting as the vaccine race is because more politicised – not least because its a ‘race’, but also as he information has been released right after the Biden-harris election results.
  • still… hygiene / fear / polarisation (both social and physically ie. vulnerable and the not) / distancing (again, culturally and physically)

An interesting and growing area involves the design of smart materials with autographic properties, with many applications such as 4d printing, micro-fluidic robots, or the use and manipulation of bacteria to visualize environmental properties. !!!!!!!!!!!

———— Happiness x GDP

This project made me ponder what it means to speculate via ornamentation and dress.

  • my first issue was; how to avoid the fact dress is so entangled with consumption. Aesthetic representation FOR consumption of sorts.
  • this project made me wonder why she chose earrings. I couldn’t find an explanation and I a bit critical of these objects in the sense they seem like jewellery for the sake of jewellery.
  • I would like to think more academically about why I’m choosing / thinking about dress as the ‘forum’.
  • A late night thought lead me to the fact that we will always need be dressing ourselves, almost as a certainty (maybe fun to think of subversive scenarios of nudists communities OR anti body architecture/anti contact with materiality (due to back lash because of current circumstances/material treatment?!) emerging within this speculation). IF we are certainly wearing things for the future of our non-digital existence, ornamentation has the potential to evolve drastically and become more necessary to not just represent aesthetic culture symbols (maybe undetectable without a code..?) but (what I’m a lot more into) become more tool like. incorporate lost of different mechanisms to aid ‘environmental reformism’.

Human AS (not and) Nature

Through my theory research I keep coming across people trying to identify the un-needed distinction between nature to humans and just nature. Not that knowing nature is easily done or possible but acknowledging this as a fact is on the right path…

A few of the names and what they’ve said:

  • Oxana Timofeeva writes ‘Ultra-Black: Towards a Materialist Theory of Oil’ which discusses the various theories of materialism:

The fact that it is a fantasy does not mean that it can be neglected. As psychoanalysis teaches us, fantasy is at least as important as what we call reality, and perhaps even more so. The phantasmatic world-without-us is not only attached to the world-for-us, but presents its internal truth. It is uncanny and unhuman and unnatural, where the prefix un- does not merely negate, but produces a kind of displacement or resistance that dialectically turns canny, natural, human, etc., into their opposites, while maintaining the ostensible clarity and significance of the original. This is why these new concepts of nature continue to revolve around an old concept of the human, in various directions, including the transhuman, the nonhuman, the antihuman, the posthuman, or the inhuman. Such concepts seem to start from the dismissal of the human, but often end up with what I would call negative anthropocentrism, i.e., anthropocentrism of a centrifugal, rather than a centripetal, type.

  • Kodwo Eshun from THE OTOLITH GROUP spoke in an E-flux zoom conversation about how people living in the convention that is the anthropocene have turned to finding indexical signs, material traces, to inform them of seismic movements/prediction. He goes onto say:

‘living in the anthropocene is to confuse and to complicate the difference between human sciences and so called natural sciences. To confuse the inherited devisions of knowledge of colonial order’

  • Peter Frase in ‘Four Futures; Life after capitalism’ says:

Considerations of ecology often tend towards a duality between humans – and their technologies – and nature. Talk of ‘conservation’ or of reducing our ‘carbon footprints’ implies that nature exists in some pristine state and that the tasks of humans is to withdraw from nature in order to save it. This way of thinking is ultimately a denial of humans as natural, biological beings, inseparably a part of nature – just as much so, in its way, as those forms of trans humanism that yearn to upload consciousness into computers in order to be free of the organic world altogether. p102

11/11/20

So now that the blog is up to date with all my references that are informing my current thoughts, I think I will start doing dated rounds ups as to where I see my territory right now.

I’m trying out this idea of triangulation because my interests are seemingly quite separate and I would like to know if there is a middle ground to be found in order to carry out an exploration or whether it is about choosing 1 or 2…

I have found a way to separate the the strands into three…

  • Dress / ornamentation as a platform for addressing futures. I am passionate about form fo dress separately to the course and I don’t see why I shouldn’t make this more prominent in my design outcomes.
    • humans will always be dressed (and the idea of them one day not should therefore also be explored) and I’m interested in how the cultural uses of dress will inevitable evolve…
    • I’d like to add to these ideas with research into embodiment practices and dress as extensions of everything social/cultural/ideological/practical etc (joanne entwistle..)
  • Speculative futures (/synthetic biology?) I guess is a bit broad for a whole ‘category’ but much of the thinkers I read tend to outline various ways in which we are heading and this is always what I’m drawn to thinking about.
    • This is more a research area that allows me to dwell on / focus on elements of the present that I want to invasions evolving and therefore evolving something like DRESS.
    • One thought circling heavily is the the effects of the global pandemic intersecting with the incredible real dangers of climate change. Hygiene, distancing, touch/interaction/tactility etc
    • microbial / synthetic biology and bacteria are, to me, obvious points of focus within this as ima already interested in mould and terminology around clean and dirty – purity and danger and what room lies within linguistics (structuralism?) to re-signify such terms and signifiers…
    • as well as this I’m interested in how these intersect with other subjects to speculate around such as economy (doughnut?), politics (socialism?), trade/consumption (post-capitalism?)…
  • Autographic visualisations interests me as I want to figure out forums of engagement.. and the tools available to me to affect this.
    • so I’m thinking about visualisations of problems (or maybe how in the future we will visualise problems in new ways ie.dress) as a way to induce engagement / change… this means finding ways to frame material traces that express an issue of sorts – that in turn may affect a ‘users/viewers’ outlook on said issue…
      • this aligns with concepts of spectacle culture and varying temporalities / metabolisms which in turn provides a place to intervene and find ways in which will engage a social media info-whelmed individuals of something damaging happening on a different temporal scale…
      • eg slow violence… pollution, waste, treatment / scarcity / uneconomical uses of materials, networks of materials in fashion, energy consumption, environmental racism
    • maybe the intersection is in the how autographic visualisations get used as tools of engagement AND problem solving tools (need to look more into the possibilities of this as all hypothetical atm) become merged with dress…….
    • I guess there is still a bit of a fork in the road between creating a visualisation that induces acknowledgement.. and visualisation that is a detection of something invisible within out environment… basically does the visibility of said trace just show something or should it change a behaviour… the ‘wearing’ of it in the first place is quite a large change of behaviour.

still can’t tell how the theorists I’ve been looking at can aid any of the above

throwing around research report questions….

  • should dress be autographic
  • How affective is autographic visualisations within consumer goods
  • How affective is autographic visualisations within embodiment objects and dress..?
  • How can dress enable collective action 
  • Should dress and fashion be made more political 
  • Are social science fictions successful in creating change 
  • How to justify producing more in times of obvious abundance and sacristy
  • What would it mean for dress and embodiment practices if they became even more utilitarian…  how would this intersect with capitalism or future that is post capitalism 
  • Is there a future for synthetic body ornamentation / augmentation in a post global pandemic society

Vibrant Matter – Jane Bennett

Takes a speculative realist approach to materiality in order for a re-analysis of agency and the non anthropocentrism of the ability to effect networks

New materialism is her term for this theoretical practice.

she uses case studies (as well as previous theorists) to prove these ideas such as electricity grids, nutrition, life of worms

  • still need to read second last chapter on ‘political ecology’
  • has good bit on the need for a bit of anthropomorphising… useful cognitive practice

Being Ecological – Tim Morton

possibility space’ space of data dumping about climate change, space to infiltrate and is within ecological information deliver mode.

‘factoid’ is a fact that we know something about – we know that it has been coloured or flavoured a certain way, that its supposed too look and quack like a fact’

‘when people use factoids, we feel like are being manipulated by little bits of truth that have been broken off some larger, truer edifice, as if they were small chunks of cake’ (he uses an example about genetics) p8

‘a whole lot of what is sometimes called ideology theory is about how you are coerced into handling a poem, a painting, a political speech, a concept in a certain way’p11

all kinds of ontology and epistomology (and ideology) are implied by ecological information dump mode, but we rarely pause to figure out what they are.

‘ This book, being ecological, is about how to live ecological knowledge’ p11

‘being ecological is starting by peering under the hood of the ways in which we talk to ourselves about ecology. I think the main way – just dumping data on ourselves – is actually inhibiting a more genuine way of handling ecological knowledge’

‘facts go out of date all the time, especially ecological facts, an especially out of those global warming facts which are notoriously multidimensional and scaled to all kinds of temporalities and all kinds of scenarios. p12

p17 – claiming the necessity being entire political / economic revolution of big corporations yet this being comparable to 2009 claims of india about takin climate change seriously when they are ‘developed’. putting off the issue in awaiting a transition that will undoubtedly take fast amounts of time. could they be hyper objects i wonder?

a fact us made up of date and interpretations of data. a factoid is usually a (quite small) chunk of date that has been interpreted so as to appear thruthful. It is thruthy.’ p20

‘any attempts to achieve total certainty is an attempt not to live in a scientific age’ p20

‘truthiness is in a way a kind of reaction, like a blister, to the real problem, namely that we live in a modern scientific age characterised by a radical gap between data and things.’ p21

  • RELEVANT TO INFORMATION MANIPULATION OF MARKETING FOR GREATER GOOD

‘the transcendental gap between things and thing-data becomes quite clear when we study what i like to call hyperobject; things that are huge and, as they say, ‘distributed’ in time and space – that take place over many decades pr centuries (or indeed millennia and that happen all over earth)’ p22

‘wouldnt it be better to stop with the sermonising, the shaming and the guilt that are part and parcel of the theistic approach to life that arose in the agricultural age’

‘and is it why action to change global warming must be massive and collective’ p35

‘throughout this book, we’ll be seeing how the experience of art provides a model for the kind of existence ecological ethics and politics wants to achieve between humans and nonhumans.’

‘beauty experiences’ – ‘thats because beauty gives you a fantastic, ‘impossible’ access to the inaccessible, to the withdrawn, open qualities of things, their mysterious reality’

‘kant describes beauty as a feeling of ungraspability’ p41

‘the anthropocener has officially been dated as starting in 1945

  • IDEAS OF MARKATABLE NATURE OF CLIMATE CHANGE

‘its our turn to be the asteroid, because the global wracking that we cause is now bringing about the sixth mass extinction. maybe it would make it more obvious if we stopped calledit global warming (and definitely stop calling it climate change, which is really weak) and started calling it mass extinction, which is the net effect. p44

what all this amounts to is that its the nomralization of things that is the distortion. a distortion of a distortion. being i a place, being in an era, for instance an era of mass extinction, is intrinsically uncammy. we haven’t been playing much attention, an this lack of attention has been going on for about twelve thousand years, since the start of agriculture, which eventually requires industrial processes to maintain themselves, hence fossil fuels, hence global warming, hence mass extinction.’ p49

‘agtilogistics means the logistics of the dominant mode of agriculture that stated in mesopotamia and other warps of the world

(tim.m’s) ‘approach to ecological thought can be characterised as something i call ‘dark ecology’. p54

‘ecological beings such as life forms and global warming require ‘modal’ and ‘paraconsistent’ logics. these logics allow for some degree of ambiguity and flexibly.’

‘were always entangled in a ticket of prefabricated concepts that might not apple so well, because of the slippery wait of being’ p58

‘spaciotemporal’ 

‘phenomoenology’ is something is the logic of how it appears, how it arrises or happens.

————-

  • tim morton stuff about information modes is interesting because its A) something to ask the people im talking to as B) it touches on psychology and philosophy and how these ares of leaning can inform how we reach people. both the economist kate raworth and the writer george monboit are huge advocates of community engagement and forms of participatory democracy being the way to change the system and engage the individuals – not the ‘shareholders’. Its switching the tables of who is invested. a large way to effect this is marketing. ultimately we are often simple beings and objects and information inform out perspective on things without us being aware (which is what so much of what design really is – being ready to hand not PRESENT to hand in hiediggers terms) and therefor maybe its about tapping into the subliminal while allowing the user to feel empowered by this ‘non’-choice.