Guinness world record for trashiest nails






Justina Alexandroff
Guinness world record for trashiest nails






Plants are able to sense and respond to a myriad of external stimuli, using different signal transduction pathways, including electrical signaling. The ability to monitor plant responses is essential not only for fundamental plant science, but also to gain knowledge on how to interface plants with technology. Still, the field of plant electrophysiology remains rather unexplored when compared to its animal counterpart. Indeed, most studies continue to rely on invasive techniques or on bulky inorganic electrodes that oftentimes are not ideal for stable integration with plant tissues. On the other hand, few studies have proposed novel approaches to monitor plant signals, based on non-invasive conformable electrodes or even organic transistors. Organic electrochemical transistors (OECTs) are particularly promising for electrophysiology as they are inherently amplification devices, they operate at low voltages, can be miniaturized, and be fabricated in flexible and conformable substrates. Thus, in this study, we characterize OECTs as viable tools to measure plant electrical signals, comparing them to the performance of the current standard, Ag/AgCl electrodes. For that, we focused on two widely studied plant signals: the Venus flytrap (VFT) action potentials elicited by mechanical stimulation of its sensitive trigger hairs, and the wound response of Arabidopsis thaliana. We found that OECTs are able to record these signals without distortion and with the same resolution as Ag/AgCl electrodes and that they offer a major advantage in terms of signal noise, which allow them to be used in field conditions. This work establishes these organic bioelectronic devices as non-invasive tools to monitor plant signaling that can provide insight into plant processes in their natural environment.
I live next to the Old Kent road – I have been thinking about the traffic pollution a lot and the effect of and on Burgess park.
Fuels being burned. Man-made cosmetic habitats being disrupted and changed. Invisible destructive forces.
There is a constant transformation of materials – materials being destroyed in various ways – invisible state changes that permeate into the ambient environments to more or lesser degrees, for better or, more likely, for worse…
Thinking about sensing things and collecting data from those sensors on a spreadsheet to see patterns. Then I can think about an intervention? Could place this to see if it changes in any way? I can measure my interventions against the numbers that I collected with the sensor… concrete comparisons and pattern generation.
Maybe I should get a pm sensor? Can I / should I make this? Do CSM have them?
Look up YouTube of how to make hydrophone – bioacoustics of aquatic ecosystems…..
List of things to sense / sensors to collect:
AIR
WATER
SOIL
Think about burgess park as a comparison to the old Kent road. Map burgess park, find the centre of that shape of the park? take readings in intervals towards the park
Think about the specific circumstance of road: the cars and traffic flow, do shop owners wash the pavement with chemicals? dropping cigarettes, isn’t there a car wash? Chemical water run off? Isn’t there a tire shop (plastic particles?) What shops are there? What industry? What runs into burgess park pond?
Think about getting my hands on as many sensors as I can – RS components is a good website for this I think?
Think about using QGis to get 3D data on burgess park
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Undeveloped intervention thought about making new types of sensors: is there a form of qualatitive data from changing coloured bacteria (or something) that can be measured again quantitate data I will collect over the next week or so……?
side note: I heard about a project where someone used a speakers that captured particulate matter – I think their name was Chloe – get in contact?








































For monitoring and measuring plants volatiles….
How to Measure Volatile Organic Compounds In the Air
VOC measurements can be made with a variety of sensors for different purposes and chemicals.
A photoionization detector can analyze a wide range of chemicals, including aromatic hydrocarbons, but excluding low molecular weight hydrocarbons. PID works by using ultraviolet light to break down airborne VOCs into either positive or negative ions. Once broken down, the detector can then measure or detect the charge of the ionized gas. It should be mentioned that PID only temporarily changes the VOC sample it detects and does not permanently change them. Methylene chloride is an example of a dangerous VOC PID is useful in detecting.
Flame ionization detection is used largely in the automotive industry and is used as the standard in measuring hydrocarbons emission. It works by introducing a sample gas to a hydrogen flame which makes any hydrocarbons within the sample start to produce ions. These ions can then be detected with a metal detector.
Metal oxide semiconductor sensors can detect a large number of gases, including benzene, ethanol, and toluene. They use a sensitive film that reacts with gases and can trigger a signal when they reach toxic levels. Because MOS sensors can work in low humidity, they are considered quite effective.












I really like the examples of physical computing art works that react to real time data of a sensor somewhere else.
it has an effective simplicity to it. You instantly relate to a crafted idea of an other. an-other.
(side note: ‘an other’ and ‘another’ feel as though there is room for a pithy name for something… if there were lots of something, or it keeps happening? like another and another. It could be references something negative that just continues to happen… but the ‘an’ ‘other’ part refers to otherness yet boing a thing, something else, like you but out there… (maybe… still need to think about this))
In the physical computing lecture they show an example of an art work of group of tall grasses that are moving in a way that mimics in real-time the movement of a grass on a beach somewhere.


My head went to the idea of some sort of environmental data being displayed in the studio in real time… What data could i be sensing?:
With this medium I think what ever is going to sensed needs to be interesting… an unusual thing to get insight into….
this could be underwater? water is extra fascinating because it’s a type of hearing we can’t really / readily experience. The Thames would be an interesting test site – it’s local and I have access to it! I wonder what the Thames sounds like? Are there even healthy ecosystems in there? If there isn’t and it doesn’t sounds like much, how does that compare to other bodies of water/aquatic ecosystems?? How would the water qualities, ie velocity or width or depth vegetation effect this?
This is maybe a bit ambitions for the timeframe and/or my skill set… (also would need to think more about how it’s responding to brief)
Reports analyzing the status of agriculture worldwide forewarn that a significant increase of the present agricultural production would be necessary to meet the future demand for food, as the world population is expected to rise from 7.3 to 9.7 billion by 2050. As a consequence, FAO recently projected that an increase of food production (70%) may be required and thus a third green revolution needs to be attained (FAO, 2017). Enhanced crop yields in the past 50 years were made possible by the introduction of mechanization, the progresses in genetics and the use of improved crop varieties, as well as the extensive use of chemicals such as fertilizers and pesticides. However, the yield of grain crops considered the main sources of human and livestock calories (e.g., rice) have already reached a “plateau” (Grassini et al., 2013). Natural resources providing fertilizers (especially phosphate, Peñuelas et al., 2013) are also depleting, and the use of chemicals has caused serious problems with food safety and environmental pollution (Conley et al., 2009). Moreover, climate change is forecasted to increase the severity and frequency of drought events (IPCC, 2014) that will cause both a reduction in plant primary production (Zhao and Running, 2009) and a future progressive exposure of agricultural soils to degradation and loss of fertility (Köberl et al., 2011). Climate change will also favor the spreading of plant pathogens into larger geographical areas where new hosts may be found (Baker et al., 2000), leading to more frequent epidemics (Anderson et al., 2004). In this context, agriculture is called to provide solutions to increase yields while preserving natural resources and the environment.
Ways of being – James Bridle
2014 biologists recorded the sounds of cabbage white caterpillars feeding on a crock cress (the most popular plant for biological experiments) – the plant ultimately released a defensive chemical when played only the sound of the caterpillars approaching (and didn’t release it when played the sound of other insects or wind)
How plants secretly talk to each other
https://www.wired.com/2013/12/secret-language-of-plants/
It’s now well established that when bugs chew leaves, plants respond by releasing volatile organic compounds into the air. By Karban’s last count, 40 out of 48 studies of plant communication confirm that other plants detect these airborne signals and ramp up their production of chemical weapons or other defense mechanisms in response. “The evidence that plants release volatiles when damaged by herbivores is as sure as something in science can be,” said Martin Heil, an ecologist at the Mexican research institute Cinvestav Irapuato. “The evidence that plants can somehow perceive these volatiles and respond with a defense response is also very good.”
Most studies have taken place under controlled lab conditions, so one of the major open questions is to what extent plants use these signals in the wild. The answer could have big implications: Farmers might be able to adapt this chatter, tweaking food plants or agricultural practices so that crops defend themselves better against herbivores. More broadly, the possibility that plants share information raises intriguing questions about what counts as behavior and communication — and why organisms that compete with one another might also see fit to network their knowledge.
Electric Signals
How does one leaf know it’s being eaten, and how does it tell other parts of the plant to start manufacturing defensive chemicals? To prove that electrical signals are at work, Ted Farmer’s team placed microelectrodes on the leaves and leaf stalks of Arabidopsis thaliana (a model organism, the plant physiologist’s equivalent of a lab rat) and allowed Egyptian cotton leafworms to feast away. Within seconds, voltage changes in the tissue radiated out from the site of damage toward the stem and beyond. As the waves surged outward, the defensive compound jasmonic acid accumulated, even far from the site of damage. The genes involved in transmitting the electrical signal produce channels in a membrane just inside the plant’s cell walls; the channels maintain electrical potential by regulating the passage of charged ions. These genes are evolutionary analogues to the ion-regulating receptors that animals use to relay sensory signals through the body. “They obviously come from a common ancestor, and are deeply rooted,” Farmer said. “There are lots of interesting parallels. There are far more parallels than differences.”
Not everyone was swayed by Lawton’s criticism. Among the renitent was Ted Farmer, then a postdoc in the Washington State University lab of renowned plant hormone expert Clarence Ryan. Farmer and Ryan worked with local sagebrush, which produce copious amounts of methyl jasmonate, an airborne organic chemical that Ryan thought plants were using to ward off insect herbivores. In their experiment, when damaged sagebrush leaves were put into airtight jars with potted tomato plants, the tomatoes began producing proteinase inhibitors — compounds that harm insects by disrupting their digestion. Interplant communication is real, they said in a 1990 paper: “If such signaling is widespread in nature it could have profound ecological significance.”
During the next decade, evidence grew. It turns out almost every green plant that’s been studied releases its own cocktail of volatile chemicals, and many species register and respond to these plumes. For example, the smell of cut grass — a blend of alcohols, aldehydes, ketones and esters — may be pleasant to us but to plants signals danger on the way. Heil has found that when wild-growing lima beans are exposed to volatiles from other lima bean plants being eaten by beetles, they grow faster and resist attack. Compounds released from damaged plants prime the defenses of corn seedlings, so that they later mount a more effective counterattack against beet armyworms. These signals seem to be a universal language: sagebrush induces responses in tobacco; chili peppers and lima beans respond to cucumber emissions, too.
Plants can communicate with insects as well, sending airborne messages that act as distress signals to predatory insects that kill herbivores. Maize attacked by beet armyworms releases a cloud of volatile chemicals that attracts wasps to lay eggs in the caterpillars’ bodies. The emerging picture is that plant-eating bugs, and the insects that feed on them, live in a world we can barely imagine, perfumed by clouds of chemicals rich in information. Ants, microbes, moths, even hummingbirds and tortoises (Farmer checked) all detect and react to these blasts.
Author links open overlay panel – Ruth E. Happel Robin J. Happel
Soundscapes represent the sum of biotic, abiotic, and human generated sound in the landscape. Monitoring sounds can lead to insights both on habitat integrity and an early warning of threats to them. Where soundscapes are endangered, technology has made soundscape recording and analysis more accessible and affordable, resulting in the ability to continuously monitor wide areas for habitat health and human activity. Coupled with global communications and computing platforms, soundscape monitoring and analysis permits low cost and continuous monitoring of natural habitats. This is important because as climate change and human activity disrupt more and more habitats it provides a rigorous but cost-effective way to quantify and monitor changes to minimize habitat loss and extinctions.
Ruth E. Happel, Robin J. Happel, in Encyclopedia of the World’s Biomes, 2020
The field of soundscape ecology combines elements of bioacoustics, the study of animal vocalizations, with environmental acoustics, the scientific study of how sound is carried through the landscape (Krause, 2017). Every place in the world has a unique audio signature. This is composed of a combination of several types of sounds. Biophony includes biological sounds, the voices of animals. Geophony refers to geophysical or abiotic noise. For many places, for much of the year, the only natural sounds may be geophysical, including wind, storms, and water such as rivers or oceans. Anthrophony are the sounds made by people, including both the voices of people along with everything manmade, which now can be heard in even the most remote corners of the world with the sound of engines and planes. Increasingly it is hard to escape man-made noise anywhere in the world.
Soundscape ecology can be seen as a specialized branch of landscape ecology. As with the study of habitats, soundscapes can be classified based on geography, looking at the way ecology shapes them according to both physical factors and the influence of people (Pijanowski et al., 2011). As discussed elsewhere in this encyclopedia, anthromes are biomes shaped by how people interact with ecosystems, and need to be considered to fully understand biogeography (Martin et al., 2014).
Just as disturbance shapes biomes, it also influences the integrity of natural voices. As a pragmatic science, it seeks both to understand how human disturbance interferes with the functioning of soundscapes, and how measuring this can help both predict, measure and remedy these disruptions.
Anyone who has enjoyed a dawn chorus of birds in the spring time, or a night chorus of insects, can appreciate that animal sounds can be a striking part of a soundscape. While they may be viewed as a relaxing accompaniment to a natural setting or even just background noise, to the animals they serve a very serious purpose justifying the energy expenditure to make loud and repetitive sounds.
Like any other part of a habitat, the ability of a sound to carry far enough to be effective is a resource that can be as important as food or shelter for an animal. If a species cannot deter intruders or find mates in a habitat it will eventually become locally extinct. For this reason, animals have evolved strategies that differ from each other to make sure their specific vocalization can both get through and be understood by the intended recipient. As is often the case in nature, this simple need leads to marvelously complex and rich soundscapes where different species vocalize in different frequencies, at different times, and with different harmonics and rhythms

In the most ecologically diverse habitats, animals should be seen to occupy most spaces of the audio niche both temporally and spatially. In other words, there should always be an animal calling, at each frequency. In a sonically saturated habitat such as a tropical rainforest at dawn, all the sound niches may be so fully occupied that animal species may take turns, for example a bird of one species calling briefly and another calling at the same frequency when the first bird stops.
Animal vocalizations are a critical part of their survival and reproductive strategies. As a result, animals have evolved to develop distinctive vocalizations that carry as far as possible. The ability to transmit sounds to reach the maximum number of potential mates or deter the most rivals conveys clear selective advantages. Using sound takes less energy than physically patrolling a territory so is a good adaptive strategy.
This paper discusses how animals divide the sound niche into acoustic habitats, and how these sonic patterns can be used to study and predict the health of animals and their biomes. Techniques are described to use soundscapes as a tool to protect species and their habitats.